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herman de vries (1931)
herman de vries studied horticulture at Hoorn. Although active as an artist since 1953, he became a
full-time artist only in 1969, after leaving agricultural research. Since 1970 he lives in
Eschenau, a small village in Steigerwald, southern Germany. In his works he strives to abandon the personal aspect by isolating and
presenting a part of the objective
natural world. Inspired by his agricultural research, he started making random
objectivations by random placement of coloured patches, wooden bloks etc using
statistical tables. Later he employed
nature itself the randomization process: gluing autumn leaves as they fluttered
down, preparing vertical cross sections through a piece of vegetation against a wooden panel
background, randomly sampling and
regularly arranging leaves, fruits,
rabbit pellets on paper, or rubbing samples of soil or ash, These objects taken from nature, but
also photographs and names of existing, or, sometimes, locally extinct plants characterize
a spot, area, country, field of vision, or time span. Although the disturbed
relationship between man and nature forms is a focal point of his art, de vries
just reports by taking what nature happens to present to him; he reports and
does not take a position in discussions about that relationship. He exposed in
numerous galleries and musea in the Netherlands and abroad. His work is in collections od a.o. the
Stedelijk Museum Amsterdam, the Gemeentemuseum of The Hague, the Kröller Möller
museum, the Van Abbe museum Eindhoven, and in many public collections outside
the Netherlands, including the Staatsgalerie in Stuttgart, the Bibliothèque
Nationale Paris, the Museum of Modern Art NY, the Victoria & Albert Museum
London, the National Galerie Berlin, en the Museo ideale Leonardo da Vinci in
Vinci. In May 2007, the Dutch weekly Elsevier rated herman de vries the 3rd most influential living Dutch artist.
Publications
Reviews
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zt 2006
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114,5
x 198 cm installatie: blokken zandsteen
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